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Angel
Irlanda
"It took Dalí a lifetime of work to reach the
point where he felt he found his true voice," Irlanda says.
"'I've only just begun,' were his dying words. I'm starting
where he left off, which is the responsibility of future generations
of artists, to finish the work (their idols) began. I know the direction
Dalí was trying to go. I've only just started and still have
a long way to go.
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Stanley
Klopfenstine
You'd never guess from looking around Stanley Klopfenstine's
humble studio-cum-gallery that he's one of the world's most respected
stained glass artists.
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read the interview |
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VinnieLu's
Beachside Chocolates
In response to a growing number of frustrated consumers in
search of independently-owned alternatives, large businesses have
taken to adopting plasticized faces while retaining their distant
corporate structure. The result is a slew of chains featuring the
innocuous and “neighborly” trappings of a Main Street
America that’s quickly disappearing.
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here to read the interview |
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David
Burton
Burton had been playing the instrument throughout his Pittsburgh
childhood until his father found a job at Kennedy Space Center and
moved the family to Indialantic in 1967. While he’d progressed
well and seemed destined for a spot in a world-class orchestra,
Burton had a hard time finding an adequate oboe teacher in the area.
Whenever he opened his case to reveal the formidable double reed
woodwind, he was met with incredulous stares and recommendations
that he commute to Orlando for lessons.
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interview |
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Damien
Share
The clementine,
for the uninitiated, is a variety of mandarin orange, about the
same size as a tangerine, but far juicier, sweeter, and happily
seedless. The best clementines usually come from Spain, though I’ve
bought some adequate examples from South Africa. They’re very
easy to peel – the rind comes off in one sleeve-like piece
– and small crates usually show up in markets as winter begins,
which is often why they’re called “Christmas fruit.”
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interview |
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Matt
Molnar
I’ve never
taken to any of these custom motorcycle reality shows. Apart from
the way they feed the current American addiction to offensive ostentation,
primadonnish belligerence, and Caligulan egotism , it’s hard
to tell the tools being used from the hosts who use them.
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interview |
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Rick
LaClaire
The sculptural arts have always confounded me. I can see
how Rembrandt spattered black here to bring out a wash of white
light there, or how Van Gogh rendered breezes with thick, sweeping
brushstrokes, but damned if I can figure out how Bernini, for instance,
turned a solid piece of marble into an angel piercing the heart
of a swooning St. Theresa. And how Brancusi or Moore carved smooth,
lifelike curves out of such harsh, unforgiving angles is beyond
me. Hell, I’m even amazed by the old dockside salt who’s
whittled a stick into a whistle.
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interview |
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Gary
Propper
The more I dig deeper into his complex history, the more
I feel like Martin Sheen’s Captain Willard in “Apocalypse
Now” and the more Propper begins to resemble Brando’s
Major Kurtz. While Kurtz was a far more foreboding quarry, Propper
is shrouded in mists of similar mystery, and initial inquiries into
his character only thicken them. Nonetheless, I set off up river
intrigued, yet apprehensive.
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interview |
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Ross
Tierney
On
April 12th, 1981, when a group of Portsmouth, England junior school
students were let out of class to watch the televised launch of
STS-1, two very important -- and very different -- journeys began.
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interview |
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Durke
Schmidt
Little over a decade ago, art critics were too busy scoffing at
the rise of urban art forms to notice the sly changes it effected
in advertising and nearly all forms of popular media.
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the interview |
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Henry Lund
Type in an internet search for "Henry Lund" and you'll
come up with a site dedicated to the Clondalkin Paper Mill sit-ins
of 1982-1987, along with a personal account by a man of the same
name who emerged from the horrors of WWII relatively unscathed.
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interview |
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Kenny
McArthur
Anyone familiar with Cape Hatteras or, more specifically, Hatteras
Village proper, knows what a unique place it is. Besides offering
a glimpse back into a simpler era, what strikes visitors is the
singular character of its inhabitants.
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here to read the interview |
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Mike Nemnich
Indonesia's location in the Pacific "Ring of Fire" makes
it one of the most geologically fragile regions in the world. Prone
to earthquakes, volcanic eruptions, hurricanes and flooding, the
archipelagic nation is in a constant state of flux, as witnessed
in..
.click
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R.L.
Lewis Highwayman Painting
You don't need to be a Sotheby's appraiser to recognize the value
of an original Highwaymen painting.
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Pam
Werneth
Mother Nature isn't as perfect as we'd all like to think. Hurricanes
are a big clue, and earthquakes aren't all that great, but scoop
up a handful of sand, and you'll see what I'm talking about.
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interview |
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Stephanie
Delaney
How Indialantic resident Stephanie Delaney manages to raise four
children on her own while creating art is a wonder in itself. That
she’s created such a huge, widely-ranged body of work is nothing
short of a miracle.
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the interview |
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Steve Harris
You wouldn’t think
it flipping through his portfolio or admiring the many pieces adorning
his studio, but Cocoa Beach artist Steve Harris' low grades in art
class nearly kept him from graduating high school. click
here to read the interview |
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Wayne Coombs
There’s
a wood sculpture in Cocoa Beach’s Mai Tiki gallery that’s
more illustrative of artist Wayne Coombs’ personality than
any of his highly-praised and hugely popular tikis.
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here to read the interview |
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Paul
Wren
Just on the outskirts
of Downtown Melbourne, there’s a building so full of creativity
that it spills out the doors and onto the surrounding sidewalk.
The exterior walls are covered with artwork and the pavement is
decorated with a fake (I hope) chalk outline. Each day, people visit
TH-INKER Tattoo Studio and carry a piece of creativity out with
them. Proprietor Paul Wren has been providing tattoo art to the
Brevard community for the past 16 years, and both his studio and
artwork reflect his creative approach to the tattoo world.
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interview |
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Bruce
Reynolds
The enduring image of the surfer as the apolitical free agent of
the past, though clung to tightly by many, is somewhat outdated
by 21st Century standards. That hairy, carefree beatnik swaddled
in the cozy blanket of neutrality isn’t much more than an
unattainable ideal in this era of mass computerization, cultural
globalization, and the omnipresent threat of terrorism.
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the interview |
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Jim
Hannan
Victorian
art critic, essayist, and draughtsman John Ruskin was obsessed with
water. He spent much of his childhood observing it wash against
the London docks and spent the latter part of his life trying to
capture its transience in words and sketches, even going so far
as to dabble in hydrology and meteorology to better grasp its attributes.
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interview |
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Fishing
Aboard The Relentless II
with Captain Scott Bussen I’ve
never been fishing. Sure, when I was a kid I would catch an occasional
brim or catfish behind my house in the creek, but I’d never
really been Fishing. click
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Georgio
Andonov
Though his knowledge of English is
somewhat limited, painter Georgi Andonov is one of the most eloquent
men I’ve met.
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here to read the interview |
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Robert
Tomlin
Ever met a guy
who's got it all figured out? I don't mean a guy who thinks he's
got it all figured out - there are plenty of those around - but
a guy who wears the unmistakable grin of one who rides life daily
and refuses to philosophize from the shore.
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here to read the interview |